Janice Isabel Jackson

Vocalist, New Music Specialist

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Winner 2018 Canadian League of Composers / Canadian Music Centre’s Friends of Canadian Music Award Read More Here

I have been bringing new vocal works to life for over 30 years. I have always approached the music as a child discovering the world for the first time.

In my world, no feeling or sound is off limits.  The human voice is a miracle of nature, unconstrained by rules that make one type of sound preferable over another.  As human beings, we have an infinity of sounds at our disposal, but most singers only partake of a very narrow range of what is available to them.

My world is a rich and resonant one, full of sounds that I intuitively connect to underlying emotions and the stories they can tell us.  From improvisation to electro-acoustics to extended vocalization and new opera, I have an insatiable curiosity for the never ending potential of the voice.

My performances often explore challenging contemporary issues, the dark side of human existence, mythology, legend, folklore.  From dragging chains across the stage to lying naked under a diaphanous chiffon to inhabiting the haunted visions a mythological creature, I am compelled to present works that are both visually and musically evocative.

In my work, I often explore the music of other cultures, the lives of influential women, the difficult stories of the culture in which I live – hard topics that allow the audience to reflect, access deep emotion, and ponder the meaning of their own existence.   

My ultimate goal is to be an ambassador for the soul of the music, without judgment or preconceived notions as to what is or is not relevant.  I embrace aesthetically beautiful sounds, but I do not shy away from what some would perceive as harsh or ugly.  I am constantly exploring new ways of using the voice, allowing the music to show me how to sing it.  I wish to be as diverse and open to the voices potential and flexibility as I can and in cooperation with the audience to inspire, communicate, amuse, engage and captivate.

“You have inhabited my music world with grace, power, imagination, and an infant like openness”. Etienne Rolin, Composer, Bordeaux, France


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Janice Isabel JacksonSoprano, Contemporary Music Specialist, Producer, Vocal Instructor – Coach

Janice Isabel Jackson has sung over 200 world premieres, many works written specifically for her, and performed with contemporary music ensembles and in concert halls around the world – Beijing, Paris, Vienna, Amsterdam, Hamburg, Torino, Toronto, Montreal, New York, Berlin, Johannesburg, Cape Town and more.  She has appeared in countless contemporary music festivals including the November Festival (Ghent), Wien Modern (Vienna), Ludwigs Lust (Hamburg), The Proms (Amsterdam), IRCAM (Paris), Big Torino 2000 (Turin), the Diem Festival of Electro-acoustic music (Denmark), and the Scotia Festival of Music (Nova Scotia).  She is also the Artistic Director of the Halifax based contemporary vocal music society Vocalypse Productions, through which she has produced many new works including: Vonda de Ville in Temporal Follies (2008) by Lukas Pearse, a melodrama in which she sang and acted the role of Vonda de Ville, a jazz opera by New York’s D.D. Jackson entitled Trudeau: Long March / Shining Path (2009) singing the role of Margaret Trudeau, 3 new mini operas entitled HOWL (2013) based on Ginsberg’s famous rant, Miss Fortune’s Portmanteau (2014), a one hour show concerning women from Victorian Halifax, as well as Tim Brady’s new opera Ghost Tango (2015) for 2 singers and electric guitar.  

During the 2010 – 2011 Season she premiered 2 works written my Montreal’s Tim Brady: a melodrama entitled “15 Stages in the Search for Radium and Love” about the life of Marie Curie with Victoria’s Aventa Ensemble and 7 songs entitled  “We’re Hardcore” based on texts by the Tragically Hip’s Gordon Downie with the Vancouver Symphony Orchestra.  During Oscillations 2012, she premiered a mini opera by Anna Pidgorna entitled Mirror Mirror for voice and electronics as well as Jerome Blais’ Dremlen feygl with Montreal’s Orchestre Métropolitain and reprised her performance of Tim Brady’s “We’re Hardcore” during the Scotia Festival of Music.  In 2015 she premiered Jerome Blais’ Songs for Milena with the Symphony Nova Scotia.  She can be heard on many CD’s, including Live Wired (2015), on which she premiered (Un)Forgotten Voices (first prize in Concours Collégien de musique contemporaine) by Jerome Blais.  

During her career she has been the recipient of many grants including professional development grants through Arts Nova Scotia and a long term project grant through The Canada Council.  She recently spent 5 weeks at the Banff Arts Centre as a musician in residence.  She has received recognition for her contribution Nova Scotian culture from The Honorable Myra A. Freeman, Lieutenant Governor, as well as an Established Artist Award through Arts Nova Scotia. April, 2016 Classic Concerts Nova Scotia – Musician of the Month Click Here

Future projects include:  The role of Mona Parsons in Sandy Moore’s new opera Escape to Freedom; 3 new solo programs including Protest, a program of 5 pieces with voice and electronics and / or sound score highlighting various protests and social / environmental issues around the globe; solo program entitled Voice Dance featuring some of the most challenging works of contemporary music, highlighting the vast array sounds which the voice is capable of and the deep emotional connection which sound elicits; program of 4 mini operas entitled Echoes of Time – Saga, Tales and Myth, which encompasses 4 decades of music, most written for Jackson, and include mythological tales from Japan, Greece, Mexico, and Denmark.

Janice’s Biography


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Her performances bring out the beauty of contemporary vocal repertoire.  Music Weekly, Beijing, China

Janice Jackson as a singer alone is top class.  Jackson has daring and an exceptional talent.  Brabants Dagblad, Netherlands

Music can move you. Listening to the singing of Janice Jackson brought to me a sense of sorrow.  Sadness that came from the realization that such intense music making is seldom experienced and so very worthwhile.  De Limburger, Netherlands

Soprano Janice Jackson gave a literally breathtaking performance of Luciano Berio’s Sequenze III.  In a few minutes time we not only heard a vast array of possibilities of the human voice, but also of emotions.   Stad Amersfoort, Netherlands

Janice Jackson garnered much admiration for her interpretation of Heppener’s Candens (1990).  Trouw, Netherlands

Jackson’s performance was extraordinary – there were a couple of occasions when I would have sworn there were two people singing – and totally mesmerizing.  Music in Victoria, Deryk Barker

… a tour-de-force of the highest order.  I doubt there is another singer in Canada who can for so long grip our attention in a chemical-like bond as Jackson does.  The Halifax Chronicle Herald

[Berio’s] music still sets the standard for extended vocal techniques but Janice Jackson can meet that standard proudly.
Toronto Star

…a crystal-cracking voice of astonishing purity.  The Halifax Chronicle Herald

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Read Full Reviews Here


Voice Dance
– The potential of the human voice

– Soprano, electronics, megaphone

Echoes of Time
– Saga, tales and myth

Upcoming Events

Opera From Scratch
August 12th to 19th, 2018
Halifax, Nova Scotia
One week workshop, 6 mini operas
Janice Isabel Jackson
Producer, Director, New Music Coach

Teleet Ensemble
New, Improvised, and Traditional Music
with: Arash Delavar – acoustic
and: Mohammad Sahraei – tar, setar
Sunday, October 4th, 2018 @ 8pm
Saint Mary’s University Art Gallery
Halifax, Nova Scotia

November 16th, 2018 @ 4pm
Position; influence
by David Coll
MINT Conference
University of King’s College

November 17th, 2018 @ 4pm
by Derek Charke
MINT Conference
University of King’s College

November 18th, 2018 @ 4pm
with Mathieu Chamagne’s Aperture
MINT Conference
University of King’s College

January 5th, 2018 @ 2pm
Teleet Ensemble
A Vocalypse Production
MacAloney Room, Dalhousie Arts Centre

January 6th, 2018 @ 8:30pm
Voice Dance II: Tectonic Shift
New Opera / Performance Art
A Vocalypse Production
Halifax, Nova Scotia
Sir James Dunn Theatre
Dalhousie Arts Centre

January – May 2018
A lecture series
with Barbara Pritchard, piano
Canadian New Music Illumiated
Halifax Central Library

February 27th, 2018 @ 7pm
Disordered Songs
with Barbara Pritchard, piano
A concert of Canadian Art Song
Music Room Chamber Players
6181 Lady Hammond Road, Halifax

March 4th – 10th, 2019
CO2 Cycle de Lieder
Concerts and Masterclasses
Scene Nationale, Bayonne, France

March 21st, 2019
CO2 – Cycle de Lieder
with Duo Autre Voix de Piano
and Ensemble Zellig
AJMI, Avignon, France

Friday, May 10th, 2019
Disordered Songs
with Barbara Pritchard, piano
A concert of Canadian Art Song
Chapelle Historique de Bonne Pasteur
Montreal, Quebec


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Follow Janice

Phone: 902-429-1899
Mail: janice.jackson.newmusic [ at ] gmail [ dot ] com